She had reached a neighbourhood of narrow, crowded streets. The women were mostly without hats; and swarthy men, rolling cigarettes, lounged against doorways. The place had a quaint foreign flavour. Tiny cafés, filled with smoke and noise, and clean, inviting restaurants abounded. She was feeling hungry, and, choosing one the door of which stood open, revealing white tablecloths and a pleasant air of cheerfulness, she entered. It was late and the tables were crowded. Only at one, in a far corner, could she detect a vacant place, opposite to a slight, pretty-looking girl very quietly dressed. She made her way across and the girl, anticipating her request, welcomed her with a smile. They ate for a while in silence, divided only by the narrow table, their heads, when they leant forward, almost touching. Joan noticed the short, white hands, the fragrance of some delicate scent. There was something odd about her. She seemed to be unnecessarily conscious of being alone. Suddenly she spoke. She sent a brief letter round to Phillips, and a telegram to the nurse, preparing them for what she meant to do. She had just time to pack a small trunk and catch the morning train. At Folkestone, she drove first to a house where she herself had once lodged and fixed things to her satisfaction. The nurse was waiting for her in the downstairs room, and opened the door to her. She was opposed to Joan’s interference. But Joan had come prepared for that. “Let me have a talk with her,” she said. “I think I’ve found out what it is that is causing all the trouble.”!

“You’ve got to face this unalterable law,” he continued. “That power derived from worldly sources can only be employed for worldly purposes. The power conferred by popularity, by wealth, by that ability to make use of other men that we term organization—sooner or later the man who wields that power becomes the Devil’s servant. So long as Kingship was merely a force struggling against anarchy, it was a holy weapon. As it grew in power so it degenerated into an instrument of tyranny. The Church, so long as it remained a scattered body of meek, lowly men, did the Lord’s work. Enthroned at Rome, it thundered its edicts against human thought. The Press is in danger of following precisely the same history. When it wrote in fear of the pillory and of the jail, it fought for Liberty. Now it has become the Fourth Estate, it fawns—as Jack Swinton said of it—at the feet of Mammon. My Proprietor, good fellow, allows me to cultivate my plot amid the wilderness for other purposes than those of quick returns. If he were to become a competitor with the Carletons and the Bloomfields, he would have to look upon it as a business proposition. The Devil would take him up on to the high mountain, and point out to him the kingdom of huge circulations and vast profits, whispering to him: ‘All this will I give thee, if thou wilt fall down and worship me.’ I don’t want the dear good fellow to be tempted.” Flossie’s young man was standing near the fire talking, or rather listening, to a bird-like little woman in a short white frock and blue ribbons. A sombre lady just behind her, whom Joan from the distance took to be her nurse, turned out to be her secretary, whose duty it was to be always at hand, prepared to take down any happy idea that might occur to the bird-like little woman in the course of conversation. The bird-like little woman was Miss Rose Tolley, a popular novelist. She was explaining to Flossie’s young man, whose name was Sam Halliday, the reason for her having written “Running Waters,” her latest novel.

Mary had been clasping and unclasping her hands, a habit of hers when troubled. Could good ever come out of evil? That was her doubt. Did war ever do anything but sow the seeds of future violence; substitute one injustice for another; change wrong for wrong. Did it ever do anything but add to the world’s sum of evil, making God’s task the heavier? “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” Of course. For war you wanted men, to fight. She had been thinking of them in the lump: hurrying masses such as one sees on cinema screens, blurred but picturesque. Of course, when you came to think of it, they would have to be made up of individuals—gallant-hearted, boyish sort of men who would pass through doors, one at a time, into little rooms; give their name and address to a soldier man seated at a big deal table. Later on, one would say good-bye to them on crowded platforms, wave a handkerchief. Not all of them would come back. “You can’t make omelettes without breaking eggs,” she told herself.